The carpets of Persia, rewoven as the cloth you wear closest.
Each design begins in a single Persian city and carries its weave, its palette, its centuries. Not a print applied to underwear — a pattern given a new place to live.
Three of Persia's great weaving cities, each rendered as a pattern you can live in. Available in Heritage — the full weave — and Modern Heritage, where the medallion stands alone against solid ground.
The city of the master weavers. Dense floral arabesque, worked edge to edge, the way a Tabriz rug fills every thread of its ground with ornament.
The refined hand. Airy, symmetrical, restrained — Nain is known for the finest knots in Persia, an ivory ground lifted by sapphire and quiet gold.
The tribal weave. Bold geometry carried down from the nomad looms of Fars — rust and indigo, cut in diamonds and stars rather than vines.
For a quieter statement: solid, city-specific ground with the carpet's central medallion set across the front. The heritage, distilled to a single motif.
For centuries the Persian carpet has been the most intimate object in the home — walked on, gathered on, passed down. FARSI WEAR takes that same weave and moves it closer still.
We begin with the cities: Tabriz, Nain, Shiraz — each with its own knot, its own palette, its own way of filling a field with pattern. Every model in the collection carries one city's character, printed into premium cotton so the cloth reads as woven, not stamped. The first collection is called Origins. It will not be the last.